Infiltration
THEORY
Ethics
Observations
 
PRACTICE
Abandoned Sites
Boats
Churches
Drains/Catacombs
Hotels/Hospitals
Transit Tunnels
Utility Tunnels
Various
 
RESOURCES
Exploration Timeline
Infilnews
Infilspeak Dictionary
Usufruct Blog
Worldwide Links
Infiltration Forums home | search | login | register

Reply
Infiltration Forums > UE Photo Critiques > An Hour in McCamey(Viewed 2375 times)
Peptic Ulcer location:
Katy, TX
 
 |  |  | Flickr
An Hour in McCamey
< on 2/7/2016 1:34 AM >
Posted on Forum: UER ForumQuote
1.



2.



3.



4.



5.



6.



7.



8.



9.


10.






See More on Flickr!
https://www.flickr...tos/133983270@N06/
blackhawk
This member has been banned. See the banlist for more information.
 
location:
Mission Control
 
 |  |  | 
Re: An Hour in McCamey
<Reply # 1 on 2/7/2016 2:04 AM >
Posted on Forum: UER ForumQuote
#1 looks too exposed, but not on a good monitor. Might look better in color too.
#3 & #5 needed to be squared off.
#9 I would have shot floor level, lol that could have gotten messy.
The contrast curve is skewed(not enough blacks and darkness) and/or the color saturation looks too low on most. This is easily edited with Canon's DPP app.
Raws will need extra work to bring them out.

So many of these buildings aren't square to begin with and just aren't the kind of drop dead potential of something like Pennhurst or Beth Steel in their prime. You really have to hunt for your keepers sometimes here *sigh*.
A lot of times it looks more documentary then art and that has a lot to do with the bland,faded out, simple subjects so common out here.
I'm just not into this structure that much...



Just when I thought I was out... they pulled me back in.
walkaway location:
Suburban suburbia.
 
 |  | 
Re: An Hour in McCamey
<Reply # 2 on 2/7/2016 2:34 AM >
Posted on Forum: UER ForumQuote
Agreed, 1 is a little too exposed. Not sure what color looks like but you may want to bring a little bit of the saturation back, at least.
2 is meh, for me. Looks like a snapshot rather than a composed photo.
Like 3, may want to boost contrast.
4 is my favorite -- center the chair thing right smack in the middle. Symmetry is sexy.
6 is cool but I would've shot from a less obvious angle. LOVE the color here.
7 and 9 same as 6. Some potential with these subjects.

Nice job, keep shootin'.




Peptic Ulcer location:
Katy, TX
 
 |  |  | Flickr
Re: An Hour in McCamey
<Reply # 3 on 2/7/2016 3:18 AM >
Posted on Forum: UER ForumQuote
I appreciate the feedback! Keep it coming!

As usual Blackhawk has amazing insight on this subject. His comment about subject matter out in West Texas is spot on. Subject matter here can be difficult.

#1 I processed in color but the texture was lost and honestly other than the sharp blue sky was completely washed out. The lens I used is a Nikor 24-70 f3.5 (a compromise with Mrs. Ulcer over the $2000 14-24mm). The slow f stop causes a ton of shots to be overexposed. Every shot I pull into Photoshop and process in the RAW setting 1st using AUTO correct and make corrections from there. EVERY shot increases the exposure on shots that are already overexposed. I can say that I darkened the shit out of that shot!

This also brings up another issue that I posed in an earlier post that Tiffers started (cant remember the thread). The photos posted here look completely different than on Flickr (due to compression). They also look different on my ipad than my laptop. Im really struggling figuring out how to make corrections on my laptop that will look good on a "real" monitor. Coupled with the differences in not only other people's monitors but their settings as well and the same image will seemingly NEVER look the same to any 2 independent viewers.

#2 is more or less Meh. I still havent figured out cropping and rotating in photoshop. I knew when I shot this that: 1.) The building itself isnt that interesting from an architectural standpoint 2.) There was WAY too much of the road shown 3.) The perspective was strange.

I was really focused on trying to get the shot centered as best I could and from that standpoint I think I pulled it off. I also thought it important to provide some context as to what I was shooting inside. The other thing that attracted me to this particular shot was the contrast between the shocking blue of the West Texas sky and the dull color of the sand and the building itself.

#3 on the contrast goes to the same problem as I mentioned on #1. I tried 4 different contrast adjustments and this was the best compromise. The sun hitting on the left is the brightest spot on the shot. This caused the exposure to lessen everywhere else including the interior. I adjusted the "clarity" section, exposure, the black and the white settings. Trying to darken the bright and lighten the dark was a real struggle!

The color saturation that Blackhawk mentioned is interesting. When I first started processing RAW I REALLY ramped up the saturation and liked the contrast. Looking back now it was WAY too much. I now increase it between 5-7%. Beyond that it seems to skew the color and take away the realism of the shot.

Again, I cant tell you how much I appreciate the feedback. I'm new to the photography thing and still feeling my way around (especially on the processing side). Any solutions or comments to the issues I raised would be a huge help.
Thanks again.



See More on Flickr!
https://www.flickr...tos/133983270@N06/
blackhawk
This member has been banned. See the banlist for more information.
 
location:
Mission Control
 
 |  |  | 
Re: An Hour in McCamey
<Reply # 4 on 2/7/2016 5:28 AM >
Posted on Forum: UER ForumQuote
Posted by Peptic Ulcer
I appreciate the feedback! Keep it coming!

As usual Blackhawk has amazing insight on this subject. His comment about subject matter out in West Texas is spot on. Subject matter here can be difficult.


Thank you. It's rather subtle out here and hard to capture the wide openness.

#1 I processed in color but the texture was lost and honestly other than the sharp blue sky was completely washed out. The lens I used is a Nikor 24-70 f3.5 (a compromise with Mrs. Ulcer over the $2000 14-24mm). The slow f stop causes a ton of shots to be overexposed. Every shot I pull into Photoshop and process in the RAW setting 1st using AUTO correct and make corrections from there. EVERY shot increases the exposure on shots that are already overexposed. I can say that I darkened the shit out of that shot!

This also brings up another issue that I posed in an earlier post that Tiffers started (cant remember the thread). The photos posted here look completely different than on Flickr (due to compression). They also look different on my ipad than my laptop. Im really struggling figuring out how to make corrections on my laptop that will look good on a "real" monitor. Coupled with the differences in not only other people's monitors but their settings as well and the same image will seemingly NEVER look the same to any 2 independent viewers.


You need to gamma/color correct your monitors. Than they will be accurate to the limits of their capabilities. Data Color (Spyder5) has a full solution and supports multiple monitors. Not sure how they stack up today to the competition. Color calibration is a tricky skill to fully master and it's important for editing, and distribution of your images be it paperless or printed. The ambient light, both temperature and intensity where the monitor is viewed effects how you perceive the image and the calibration.


#2 is more or less Meh. I still havent figured out cropping and rotating in photoshop. I knew when I shot this that: 1.) The building itself isnt that interesting from an architectural standpoint 2.) There was WAY too much of the road shown 3.) The perspective was strange.

I was really focused on trying to get the shot centered as best I could and from that standpoint I think I pulled it off. I also thought it important to provide some context as to what I was shooting inside. The other thing that attracted me to this particular shot was the contrast between the shocking blue of the West Texas sky and the dull color of the sand and the building itself.

I never liked PS and used Canon's proprietary photo editing app.

The time of day and cloud conditions effect the quality of the images dramatically. High noon sucks. Many time just after sunrise and right before sunset is when dull washouts turns into stunning knockouts.

The exposure needs to be set correctly. Going to full manual mode is a good way to learn how to do this. With RAWS you have at least 3 f/stops leeway, but getting as close to dead on is best.
If it's too bright for shooting at the desired f/stop @ISO 100, a common issue in the desert you can knock it down with a quality neutral darking filter. I wouldn't use a ISO setting below 100 though because 100 is the native ISO for most cams; shooting at 50 degrades the image slightly.


#3 on the contrast goes to the same problem as I mentioned on #1. I tried 4 different contrast adjustments and this was the best compromise. The sun hitting on the left is the brightest spot on the shot. This caused the exposure to lessen everywhere else including the interior. I adjusted the "clarity" section, exposure, the black and the white settings. Trying to darken the bright and lighten the dark was a real struggle!

The color saturation that Blackhawk mentioned is interesting. When I first started processing RAW I REALLY ramped up the saturation and liked the contrast. Looking back now it was WAY too much. I now increase it between 5-7%. Beyond that it seems to skew the color and take away the realism of the shot.


What I do is start with the b&w image with the RAW and dial in the contrast curve manually if the auto settings don't grab what I want. The Canon DPP app is easy to use, robust, and not a Ram hog. After I get the base contrast curve down I make sure WB is correct, then saturation. Sometimes with difficult lighting conditions I play with the rbg tone curves especially with sodium vapor lighting was present at night.

To complete the color calibration loop you would get a standard color calibration chart, take a image of that where you're shooting. If your WB is correct the colors should appear the same on the monitor as the chart more or less. You need to have a light source to view the color chart realistically, that has a color rendering index CRI as close to 100 as possible, at least 90 or better. The sun at high noon is 100. While you want a 5000-5600K light source with a high CRI, you want it to be dim so as to not wash out your calibrated monitor, but enough light to view the chart and work with. Any colored surface your high CRI, right color temperature light source reflects off of before hitting the color calibration chart will taint it.

Meh that's some of what I remember from 6 years ago... I said it was a bit tricky. Learn as much as you can, then decide how much you want to implement your color control. You can reasonably improve you calibration with time and knowledge, but some type of calibration app and/or device is recommended.
Here's a site I used when first learning about monitor calibration: http://www.cambrid...-calibration.htm




Just when I thought I was out... they pulled me back in.
tiffers location:
Texas
 
 |  |  | 
Re: An Hour in McCamey
<Reply # 5 on 2/8/2016 4:51 PM >
Posted on Forum: UER ForumQuote
Ditto what has already been said. I would only add that since you are tall (judging by the angle in your pictures), shoot at belly/waist or even chest height. You are shooting down at all the rooms making them appear smaller, rather than what they are. It seems more documentary than 'art', IMO.



Flickr: https://www.flickr...9156858@N05/albums
Peptic Ulcer location:
Katy, TX
 
 |  |  | Flickr
Re: An Hour in McCamey
<Reply # 6 on 2/8/2016 6:26 PM >
Posted on Forum: UER ForumQuote
Thanks for the tip. I've tried recently to squat more when shooting but with a bad back the pain is excruciating. Pills don't work anymore and surgery is out because I don't have time for the recovery process.

I spent a lot of time yesterday of Flickr checking out some incredible artists and have become completely discouraged. I have a great camera and can't get shots half as good as what I'm seeing from a freakin iPhone.

I honestly feel at a crossroads right now. Clearly my attempts over the last 9 months at photography have been a dismal failure. The question is what I do about it. Invest more time and energy into classes and education? Go back to my roots and just explore and not take photos? Or face the fact that Father Time is catching up with me and become an armchair explorer?

It's a tough decision because I've really enjoyed the comments that I've received but I can't be halfassed at anything.



See More on Flickr!
https://www.flickr...tos/133983270@N06/
tiffers location:
Texas
 
 |  |  | 
Re: An Hour in McCamey
<Reply # 7 on 2/8/2016 8:05 PM >
Posted on Forum: UER ForumQuote
I actually have noticed a good improvement in your stuff since you first started posting here.

If you wanted to improve, learn a new technique/subject matter...and practice it. Bokeh. Lighting. Shadows. That sort of thing. When you're comfortable with whatever technique, try another.

Never stop shooting. You could also try reading Photography for Dummies, way simple...general idea, sounds stupid...but, it's a start. If you're still lost...try a class if you feel like it, but photography is an art. If you like it, that's all that truly matters.



Flickr: https://www.flickr...9156858@N05/albums
DawnPatrol   |  |  | Flickr
Re: An Hour in McCamey
<Reply # 8 on 2/8/2016 8:15 PM >
Posted on Forum: UER ForumQuote
No offense Peptic, but 9 months is nothing. I've been shooting for about 5 years and while I do think I have a handful of killer shots, I still see plenty of room for improvement in my own work. Photography is a form of artistic expression... which means there are things you can do to hone your skills, and there are best practices, but there's no 'right answer'. There's no ultimate level you can achieve and no right way to get there.

If you're finding it a hassle to shoot, then leave the camera at home next time. Otherwise, you've already invested in the gear, just keep playing with it. Keep in mind, you could always apply your photography skills elsewhere. I find myself crouched or laying on the floor a lot in abandonments, if you can't shoot like that, maybe there's a subject that you could shoot without having to do that? Maybe try landscapes or motorsports. I don't know. Just keep trying new things until something clicks.



IndoAnomaly location:
Austin, TX
 
 |  |  | Faux Toes
Re: An Hour in McCamey
<Reply # 9 on 2/9/2016 3:48 AM >
Posted on Forum: UER ForumQuote
Try to find your own niche and don't compare yourself to others. A lot of these people have been shooting for years. You only have to please yourself, not us, unless you want to make a business out of it. You've improved a lot, don't discount that. I'm experiencing the same thing myself. It's a little overwhelming.



Every time you read this, I become more powerful.

https://www.flickr...tos/115873398@N03/
Infiltration Forums > UE Photo Critiques > An Hour in McCamey(Viewed 2375 times)
Reply

Add a poll to this thread



This thread is in a public category, and can't be made private.

Powered by AvBoard AvBoard version 1.5 alpha
Page Generated In: 140 ms